9 - Taking Action

 by Timmy and Jennifer

“ Rightful liberty is unobstructed action according to our will within limits drawn around us by the equal rights of others. I do not add 'within the limits of the law' because law is often but the tyrant's will, and always so when it violates the rights of the individual. “

­ Thomas Jefferson

It was 3 years ago in 2011, “ If a Tree Falls” directed by Marshall Curry and Sam Cullman, produced a documentary movie to reveal the significance impact of deforestation. Throughout the 85-minute film many issues about the environment were raised, specifically the way human beings contribute to the destruction of our environment. The film documents Daniel Mcgowan and his associates who were tired of the demolition of Mother Nature by: burning timber companies, horse slaughterhouses, stolen goods, etc. The United States government arrested Daniel and thirteen other ELF affiliates “Earth Liberation Front” to bring the group to an end. Daniel was judged as a terrorist even though it is factually the contrary. In the documentary, Marshall Curry and Sam Cullman used several forms of technical arrangements to show the issues; sequences of their life before the film and after; the interviews with the Daniel and other activists, the progression and juxtaposition of what eventually happened, the footages of incidents, and credible proofs such as the conversation of Daniel.

                             

 Considering that our week topic was “ Myths and Ideologies” “ If a Tree Falls ” was perfectly reliable to the theme, Daniel Mcgowan put himself out there, fighting for his beliefs and Ideologies. Environmentalism is all about supporting nature and Daniel used the film to expose his ideologies and set an example to the rest of us. The most important lesson from the movie is that we must fight for what we believe in. This “myth”/ Story that Daniel told, helps us raise questions and rethink our personal limits in terms of eco-activism. We learned in class that it does not take much to become a activist, and anyone can be a environmental hero! “ If a Tree Falls ” demonstrates the flaws in our so called democratic society; a system based on the idea that cooperation is necessary to achieve our goals. It seems to be perfectly impossible but nearly practicable for human to produce. As long we try, as long as Daniel, and his colleagues make the effort; that’s what is important.

 [https://www.youtube.com/watch?v=ZQdejn_RxBQ]

As this short documentary “The Human Footprint” about our impact on the planet says “Each person should be aware that each action they takes has a profound effect on the environment in the long run, and steps should be taken so we can reduce this footprint.”

The movie, Daniel Mcgowan and his associates make efforts to change devastating practices that we do everyday and apply another method of doing things: whether simply by deciding to protest, these are their way of living nearly perfectly. As creatures we must and it is our responsibility to change the world, and this, start at home! “If a Tree Falls” inspired to show that, we hold the power to make a difference, take a step a time, small or big.

[ https://www.youtube.com/watch?v=fpkBht9_uqI ]

“L’Erruer boréale”

The Documentary film “L’Erreur boréale” was directed and filmed by Richard Desjardins and Robert Monderie. The film took place in Quebec and was released during the year of 1999. The directors of the film were environmental activist and included many interviews of themselves, workers, and related officials to the tree industry. The film presented its ideologies in a very one sided point of view leaving the audience with a strong message about deforestation and its atrocity to our environment. The birds eye view from the planes and the many clips of high tech machinery chopping trees showed the large amount of forest cut down across northern parts of Quebec. Richard Desjardins Interviewed workers, they explained how much the logging has changed since when they were younger. In our society there are consumers and producers, the more we consume the more producers will produce. Environmentalists and industrialist are opposing ideologies because the industries want to exploit the land while environmentalists want to preserve and respect it.

             

Léopaul Gaudreau was a minister of the environment who explained how logging companies didn’t have rules against cutting wood only for protection of water, where they can build roads, and place camps. When Richard Desjardins realized the minister of environment had nothing to say about rules on cutting trees he appeared at a DOMTAR press meeting in 1996 for answers and was denied any. Richard Desjardins is committed to his environmental ideologies and through this documentary film he displayed the importance of them because even though forest are being claimed to be reforested they never grow back as large or full as before.

The definition of environmentalist is “any person who advocates or works to protect the air, water, animals, plants, and other natural resources from pollution or its effects.”(http://dictionary.reference.com/browse/environmentalist) Mainstream media does not show us the destruction that industries have on the environment. We must group together and protect our environment. Richard Desjardins ideologies support that each person has the responsibility to protect the environment that we inhabit because we only have one planet and it can never be replaced to its original state. The one hour and eight minute film has the power to make a big impact on many people in Quebec because it’s so close yet so few are aware of deforestations monstrous affects on the environment.

"people making a stand"

The documentary films “If A Tree Falls” and “L’Erreur boréale” introduce different beliefs that people have towards the environment. Both films giving non-bias presentations of what happened. In the film “ If A Tree falls” there was protesting demonstrations, interviews of police officers, and interviews of ELF members. The many points of view communicate the message of the film while also giving both sides of the situation. Something to be learnt from these films is that there are more important things to be focusing on than the new gadget coming out, or when we can afford to go shopping again.

Our planet is in desperate need of our attention before all the beautiful wildlife is destroyed. These films are persuading us to stop conforming to society and make a stand for the ideologies we support, because it is our right as inhabitants of a democratic society. L’Erreur boréale’s film shots from planes show the large amount of forest being cut down by logging companies in northern Quebec. Not many people realize how close to home some issues are and these documentary films give a chance for

Us to see first hand the impact we have on the environment.

People use protesting as a manor of voicing beliefs and being heard. Many peaceful protesting demonstrations have been terminated by police force, leaving society limitations when it comes down to being heard. Each and every person has a belief but writing angry letters or marching down main road wont generate the change needed. Ask any person if they believe the environment is important and yes will be the answer almost every time. Society claims that ELF actions were Eco-Terrorism but what other choice did they have. The ELF showed that there is a problem with the government that is claimed to be “of the people” when we do not have the right to make progression as a united nation. Throughout my life I have lived in a house surrounded by forest and farms, and most my childhood exploring the surrounding wildlife. Traveling to British Columbia and driving through the mountains opened my eyes to the mass amount of logging. Through out the drive there was many logging trucks passing by and skeletons of forest that were once so alive and wild. Our country is beautiful, and without the support and protection of all its inhabitants it will continue to become a burial ground of natural beauty.

“Perhaps the time has come to cease calling it the 'environmentalist' view, as though it were a lobbying effort outside the mainstream of human activity, and to start calling it the real worldview. -Edward O. Wilson”(http://www.goodreads.com/quotes/tag/environmentalism) 

In conclusion, we all must learn not to rely on the media to inform us, but rather get involved, inform ourselves and others around you. Living in a democratic society gives the right to people to stand for what they believe. If Demonstrations of peaceful protesting are the best option then we must proceed in that manor. I want to support the environment, just as Richard Desjardins and Daniel McGowan, but the real question is whether you would as well? If you cherish the environment you do not have to make a documentary film to make a difference, simply getting involved as a citizen and encouraging eco-friendly lifestyles makes all the difference. Though music, media, and conversation spread the word that Mother Nature is under attack.

http://www.youtube.com/watch?v=R45ZcM8iwkc

8 - Collective Memory: The Foundation of Our Identities

by Sylvain Duguay

We have all wondered, at some point or another, where we come from: which forces, events, people, and ideas have shaped the beings we are and the societies in which we evolve. Furthermore, we must wonder what brings us together as a group, and holds us together through time. Documentary films offer some answers to those questions as they carry forward in time traces of events past, as well as interpretations of great periods of history.

The Holocaust
Word War II has left profound scars on our civilization: the scope of the savagery committed, the unprecedented destructive power used by all sides, and the distress to which billions of people were subjected has defined how we perceive ourselves today. Two films explore very well the ins and outs of the conflict from different temporal perspective, looking at the rise of the Nazi party and the disaster of the Holocaust.

In Triumph of the Will (Germany, 1934, 110 min.), Leni Riefenstahl put her creative genius at the service of the Nazi party. Although she has always denied voluntarily creating a propaganda film, we are forced to acknowledge the incredibly convincing force of the film. Though a series of carefully selected events surrounding the Nazi party held in Nuremberg in 1934, the film shows us a country tightly united behind the rising force of the National-Socialist party. Opening on a scene showing Hitler coming down from the sky like a messianic figure, the film sets up the leader of the Nazi party as the leader-father of the wounded German nation. Every civilian is shown manifesting support for the party, and all the might of Germany is also shown to be at the disposition of the Fuhrer-to-be. This film was intended to rally the German nation and scare the possible foes of the nation. Looking at it from today’s vantage point is a chilling experience.

In Night and Fog (France, 1955, 31 min.), made 20 years later, Alain Resnais explores the consequences of the short-lived yet destructive Third Reich. This contemplative film, narrated by Jean Cayrol (himself a survivor of the camps), proposes an unforgiving look at the horrors perpetrated by Nazis in the their concentration camps. The archival footage, joined to images of the camps taken 10 years after the war, create a haunting picture of human tragedies lived in inhuman conditions. The film is about memory: who is left to remember? Is that past forever gone? How can we make sure not to repeat those events?

The film Shoah is a 10-hour documentary, based on interviews of survivors of the camps and archival footage, 

that is one of the most important films ever made about the Holocaust.

Documentary films participate in the creation of a contemporary mythology by helping us understand the deep forces that shape our destiny. As we wonder what has shaped us as a collectivity, we turn to those films to show us the past in a way that offers answers to big metaphysical questions, and draw links to the human unconscious that drives our lives. Films like Triumph of the Will and Night and Fog help us make sense of the world in which we live, and provide us with some tools to understand our relationship to the world around us. Are we safe from such events repeating themselves? What is the nature of evil? Don’t we all bear a part of shadow within ourselves? And don’t we have a duty to bear the memories of those events? As we look at those past events, and as they are played back time and time again, we come to share a collective understanding of the past, and we develop a community of ideas that link us to one another.

Je Me Souviens
The political scene in Quebec is a complex one: French and English have had a strong presence in the province, and the traces of those two founding peoples are still at the center of the political, cultural, and ideological landscapes of the inhabitants of La Belle Province. The tensions between French-speaking and English-speaking Québécois are ever smoldering below the day-to-day accommodations made by both groups, but the nationalist aspirations of a part of the French-speaking population have shaped the political aspirations of the province for many decades.

In Action: The October Crisis of 1970 (Roby Spry, 1973, Canada, 87 min.), the events surrounding the kidnapping of James Cross (British trade commissioner) and Pierre Laporte (Québec minister) by the FLQ are documented through extensive archival research and informative voice-over. Explored in this film are the causes of the rise of nationalism in Québec, the violent actions of the FLQ, the unfolding of the crisis leading to the promulgation of the War-Measures Act by Prime Minister Trudeau and the subsequent assassination of Pierre Laporte, as well as the reactions of various people to the events. The film offers a striking (yet rather well-balanced) portrait of nationalism in Québec, and allows the viewer to grasp the complexity of Québec’s independence movement.

The CBC archives offer an interesting panorama of the October crisis through original clips from the era: 

select the various clips from the right-hand side column.

In Comfort and Indifference (Denys Arcand, 1982, Canada, 108 min.), we are presented with a portrait of Québec on the eve and the aftermath of the 1980 referendum on the independence of Québec. Renowned filmmaker Denys Arcand takes the pulse of the province as it is asked to decide on its future. Using footage gathered by many filmmakers throughout the years, he highlights the main arguments for and against independence, presenting their main political supporters (although many of them are hard to recognize without proper identification, more than 30 years after the events), and showing a favorable bias for independence. This bias is mostly felt through the inclusion of the historical figure of Machiavelli, commenting on the actions of the government and comparing the tactics of the promoters of the “No” camp to his famous book of advice to rulers, “The Prince.”

The 1980 referendum as presented by the archives of Radio-Canada

Once again, those films play the role of myths by explaining to us, through two narratives central to the nationalist identity, how the Québécois political identities are rooted in conflict and attempts to determine their specificity. Knowing your roots is supposed to help you decide how to shape your future, and those films, by exposing many issues linked to the identity of the province, seek to create a foundation to answer some questions related to the political future of Québec. By helping us imagine what the nation should be, those movies are trying to help come together as a collectivity in order to shape the future of the province (or the country, depending of your allegiance). While nationalism can exclude the other in some of its more conservative forms, it is nevertheless essential to gather people around a common sense of identity. The films serve as fundamental tools to promote, discuss, and define the Québecois collective identity.

Looking Back, Looking Ahead

While there are many ways to learn about our past, either by taking history courses, listening to people recount the events they experienced first-hand, or conducting in-depth research on a topic related to our past, documentary films offer a unique opportunity to reach out to a time that is forever gone. The Holocaust has redefined our understanding of evil, and struck a blow to our pride of being at a “civilized” stage of the evolution of our species. We must learn to recognize manipulation and propaganda when it is aimed at us, and we must accept to confront the consequences of the actions of our fellow human beings. And while the rise of nationalism in Québec is more focused on the history of our country, it is nevertheless essential to understand the roots of the various political ideologies (and corresponding parties) that are part of today’s political life in the province. Only when we look back at the past can we understand the present and look ahead to the future.

Yet those films reflect a past forever gone and inaccessible: the march of time, rushing forward in the name of progress, tends to blur our vision of the past. Who get to write the past? How accurate are the representations reaching us through the years? Can we really understand what has happened from our position, solidly anchored in the present as we are? As time goes by, some meanings attached to those stories are forever lost or distorted. This is the fate of all myths are they are carried through time: they are reinterpreted and reinvented according to the needs and the worldviews of the eras through which they are carried.

By making extensive use of archival footage, those films try to capture a sense of the past as it was happening. While Leni Riefenstahl had the opportunity to document the events as they unfolded (and shape them according to her vision), the other filmmakers had to use images taken from newsreels, various news services, archives, as well as footage recorded by other filmmakers. Although the narration often guides our reading of those images, there remains a sense of immediacy and truth to the unaltered images reaching us through time. We may want to ignore the horrors and troubles of the past, yet they find a way to reach out to us.

The Internet Archive is a website with the mission of collecting all sorts of media 

and make them available to the wider population

As we navigate the political landscape, we are asked to make decisions. When we vote in elections, we must take into account the history and the development of the identities to which we belong. And on a more global scale, as we look at the history of our species as it spreads over the centuries and across the planet, we must ask ourselves how we relate and react to the constant repetitions of the bloody conflicts that have plagued us since times immemorial. As a Montrealer, a Québécois, and a Canadian, as well as a global citizen of the Earth, I must constantly redefine my position to the world that surrounds me, as everyone must do. We belong together, and we must constantly learn to live as a collectivity.

Stories About Ourselves
Mythology has a way to travel untouched through ages and civilizations, bringing forth a sense of connection with the previous generations of humans that preceded us. Those stories have taken many forms, and today it seems that documentary films offer us a mirror through which we can look back in time, only to realize that very little has changed. We tend to think of ourselves as independent, free-willing beings, yet we are inescapably trapped in the folds of history, carried forward on the waves set in motion by generations of humans who lived, loved, and died just like we do. A humbling thought, maybe, but it is also joined to a sense of shared evolution, and hopefully, to a desire to become a better people.

7 - Heroes and Their Quests

Heroes and Their Quests
by Andrew, Agele & Abdel

   In life, we meet people. We learn about them in person, through the media, such as watching them on TV or Internet. Regardless of how we meet these people, they can influence our lives in a great way. We often look up to them as heroes. Heroes are often represented as a person fulfilling a quest, not only this but a hero can be a person who acts as a model to anyone in the world. Your hero could be one of your family members, a musician, an actor or even yourself ! Thus, in many cases, heroes often challenge pain, to come close to death and to live freely, creating a moment's glory that remains in the memory of the century. It is a person who we admire for his achievement, his strength and courage. In the films Touching the Void and Man on Wire, we look at the theme of the heroes. The main characters in the movies conquer dangerous and horrifying events on their journey where they risk their lives that even a wrong small step could end it.

Touching The Void  

(Kevin Macdonald, 2003, United Kingdom,106 min.)

Alpine mountaineering remains a very dangerous sport to this day, as we learn in the movie Touching The Void, it can be very tough. Throughout the documentary, Joe Simpson and Simon Yates are interviewed about their mountaineering experience on the Siulà Grande (a mountain that is 6,260 m (20,540 ft) high) in Peru. The main issues presented in the documentary are the struggles that these two climbers had to go through. This was the first time that someone had attempted to climb the mountain and with that little information, they couldn't predict much about what to expect, so they decided to just use their previous experience of climbing mountains. We learn that the weather conditions, injuries and emotions that these climbers had to go through during the expedition had a huge impact on their journey. There were plenty of snowstorms that would prevent them from moving forward and that would make them lose their tracks, it was excessively cold and they also ran out of gas to warm themselves up. At one point, Joe breaks his leg and this had a huge impact on their climb. They then decided to climb back down, but in doing so they come across a cliff of snow that got shaped by a snowstorm that got Joe hanging out in the open above a crevice. After almost an hour (30-45 minutes) without receiving a signal from Joe, Simon did not know what happened to his partner, he then decided to cut the rope loose so that he could climb down. This triggered a bit of emotion on both sides, for Simon, he wasn't too sure about how he would tell others that he cut his rope, for Joe, after getting separated, he fell into a crevice making him lonely, but negative emotions aren't the only thing going through his head, he motivates himself and sets goals for himself so that he could survive. Joe finally makes some progress and goes deeper into the crevice, he sees some light and eventually climbs up finding himself on ground level. Thinking that he is gonna survive, he still has a whole rock-field to go through. Thinking that Joe is dead, Simon and his camp watcher decide to burn Joe's clothes as a way to pay their respects to him. The movie ends with Joe surviving this unfortunate journey and finding his way back to camp.

  The interviews were the most important parts to describe the movie, we wouldn’t really be able to understand what these mountaineers were going through without them actually explaining it. The film uses a reconstitution of the climb, in doing so it shows us what the climbers are trying to say, it helps viewers have a sense of participation of actually being there with them and they would feel less bored just watching people talk by building up suspense.

  The topic presented in the film is “Heroes and Their Quest”. The Journey of the Hero by Joseph Campbell and Greima’s Actancial Model are well represented by the documentary. As we saw in class, every fiction movie has something similar, it can be from the movie Lord of The Rings, Star Wars or even Hunger Games. What is this similarity? It is a Journey, every Hero has to overcome series of events to finally get to what they have to fulfill, even in Touching The Void.

So what makes a hero in somebody else's eyes?

The Journey of The Hero in Touching The Void

  The separation from the world starts once Joe gets his rope cut, he falls 70 feet and is left alone in a crevice. He gets his initiation to a source of power when gets really thirsty and eventually finds water, he said it himself that he could feel himself getting stronger as he drinks the water. During this life-threatening event, he gives himself small goals to fulfill, for example, he tells himself that he will walk to a certain distance in the time frame of 10 minutes. His life-enhancing return is after he survives these misfortunate events, he goes back to his normal life and he has to heal from the frostbite and knee injury.

Greima’s Actancial Model Touching The Void

  The six stages of the Actancial Model are represented in the documentary. The sender is themselves, they decided to go on their quest to the summit of Siula Grande to simply maybe add another mountain on their list of mountains that they've climbed. What pushes them to climb this mountain, is the fact that no one has ever climbed it before and that they wanted to be the first. The subjects of the film are Joe Simpson’s and Simon Yates’ journey. They seek experience and to check-off another mountain on their list of mountains that they climbed. They target other climbers as in the climbing community and themselves. Since no one has ever climbed this specific mountain before, Simon and Joe could tell them they story. They help each other climb, but their own self-conscious helps them undergo these series of unlucky events once they get separated. They face off a lot of opponents such as the mountain, the snowstorms, the cold, lack of gas to warm themselves up, the thirst they get, because of the lack of gas, they couldn’t boil anymore snow, Joe’s broken knee, the frostbite the both get on their face and fingers.

Man on Wire
(James Marsh, 2008, United Kingdom, 94 min)

Conquering the Clouds

Man on wire,what do we think of when we hear the quote "Man on Wire"? Probably someone walking on a wire right? First of all, lets start from the very top at the summit. The film is based on a fear-less man, someone who is fearless. In this film he has only one thing running through his mind and that is to make his dream come true by being the first human on planet earth to walk between the well known Twin Towers of New York's World Trade Center. The courageous man actually became famous by achieving It.

The film Man on Wire is a British documentary film directed by James Marsh. It is a story of a young Frenchman named Philippe Petit who wants to live up and fulfill his dream to walk on a tight rope in unusual place. In this extraordinary documentary film, James Marsh presents Philippe Petit’s rare footage of the preparations for the event where he strives to achieve what he calls the “crime of the century”. Marsh also presents some interviews with the people who helped Philippe Petit to achieve his dream, with the police officers, with the people who betrayed him and others. Man on Wire is about a hero who overcomes the towers by his courage and positive outlook although it was an illegal act. 

In the film, the main issues raised are how fear is presented and how fear can push you on a totally different level. Philippe is no doubt a person who lives for adrenaline, In the documentary film we can definitely see the fear as the main point. The film presents it very well for example at the beginning of the film, Annie (The girlfriend of Petit) explains the tension that was going on In the car and how every one was kind of scared and nervous to actually do it. She says, "I remember the extremely tense silence in the van... Alan was absolutely sober, Philippe extremely tense,as for me I was petrified,very worried". This part of the film just indicate the presentation of fear, even though the main character Philippe Petit is related to a courageous man it's definitely noticeable he's very petrified to actually do the stunt.One also specific thing it presents is how reality becomes death at one point.When talking about fear most of the time what we do not realize is how our mentality can change. For example: We can be chased by an animal, because of the fact that we are scared, we run much faster or when we're too scared of failing an exam we study much harder to pass. It's the same concept Man on Wire Philippe started on low height but even when he was scared he kept continuing by raising the bar.

The Journey of the hero We see early on in the film where the construction workers and huge trucks are building the tower of World Trade Center. The journey of the hero starts off when Philippe Petit was seventeen years old, he was sitting in a dentist’s office where he sees a page in the newspaper something magnificent, something that inspires him that caught him into his eyes. He visualizes the two buildings that are being and it will be the highest building in the world. He then draws a line between them, which are his wires. Those two towers were built as if they were made for him. He wanted to have this tangible feeling of a challenge to embark on his dream. Philippe Petit talks with his former friends that he wants to cross the towers and they help him to enter his fantasy world to dance across a tight wire. His friends helped him to bring all the equipment and they tied a wire between the Twin Towers and he did it: initiation of the hero. Unfortunately, the return was complicated: Philippe Petit was arrested and eventually found guilty of trespassing. Philippe’s dream lasted for 45 minutes and his fame was much longer to this day. We all know that what he did was truly remarkable and the movie was truly inspiring. Geimas Actancial Model (Man on wire, 2008) According to the Greimas Actancial model, the film is divided into six categories. The sender, who triggers the quest, is Philippe Petit’s dream. He wants to do something that is beyond out of the world. The subject of the movie “Man on Wire”, Petit is going to undertake a fearful and dangerous event : his object is to walk across on a high wire between the two towers of the World Trade Center. The film follows Philippe Petit’s journey where his helpers are his friends to help him out to bring all the equipment necessary. His former girlfriend, Annie, also encourages Philippe Petit to follow his dream. He also practices endlessly, dreaming of conquering the clouds. The installation of the wire is his opponent. It is very complicated as it seems. Also, when the police officers learned about his performance, they came up to the roof of both buildings to try to convince him to get off the wire. The receiver in this film is Philippe Petit. He is the one who benefits the quest of his upcoming challenge.

A lesson to remember: Never give up!

It is obvious that there are a lot of things we can learn through these films, even a blind person can get something out of it. The two films Man on wire and Touching the void are a reflection of each other in terms of themes(what we can actually get), but I think the most important thing we can all take advantage of is "hard work". By what I'm saying by hard work is just determination, courage, the mentality of a warrior in general to never give up even if you're in the worst of circumstances. In Touching the void, Joe Simpson and his partner Simon Yates went to climb a big mountain yet it wasn't the right day to challenge a mountain of the caliber. The weather was so bad you could barely see and their equipment was far from being on point. Personally,the most capturing thing in the movie is how Simpson broke his leg but was still able to make it through. It just shows us the fact that everyone can accomplish anything if you put you're mind to it and never quit. It's kind of the same in Man on wire, Philippe's goal was to walk between New York's World trade center.Philippe couldn't get to the top of building because it was just too hard to get there but, because he was determined to get there nothing was going to stop him and guess what? He did it. Even though you're not in a good position, we can all learn key points within ourselves : Anything is possible.


It's pretty easy to relate the message of those films to life. We all get caught up in different situations in our daily lives ,we all have good times but we can't hide from the bad moments we get, whether you're a rich person or a famous with all the wealth you're going get those moments. Like I said the messages of the two films is to "never give up" this is why people should always keep their head up and to always know that there is light at the end of the tunnel. To me life is just a matter of keeping the train going,Touching the void and Man On Wire were the perfect example to show it to mankind.

The films Touching the Void and Man on Wire, set a perfect example of qualities that every human being own: heroism & courage. Both filmmakers, Kevin Macdonald (Touching the Void) and James Marsh (Man on Wire) show us the pain and the struggles of the heroes that they had to face, whether someone is on a fearful journey or for the sake of their fame. These films show the challenges of that these men had to face, were almost impossible to conquer and what they did was truly remarkable. In order to reach our goals, success will only come through hard work and perseverance. Both films were inspiring and touching. They allowed the viewers to experience the emotions of a dramatic and truthful event of the heroes' journeys. They both show us how we are all capable of being our own heroes and they teach us never to give up! To end, we leave with you this touching story of a man who never gave up!

6 - The Human Element in Music Today

The Human Element in Music Today

By Eric, Franco and Uzma

             For many generations, music played a vital role in shaping our lives.  It inspired us through many forms, whether it be rock'n roll, pop music or ballads.  As it became all the more present and attainable for millions of fans around the world, the music industry has changed considerably, finally obtaining shows of recognition like the Emmys and Grammys.  The competition has become widespread, as studios were able to manipulate both instrumental sound and vocal sound.  The competitive nature of this industry is a focal point for which many careers have been created and destroyed, and that fact was established clearly in documentary films Sound City (Dave Grohl, USA, 2013, 108 min.) and Searching for Sugar man (Malik Bendjelloul, UK, 2012, 86 min.).

Sound City Studios was a recording studio that opened in 1969 in Van Nuys, California. The studio was rather unclean and needed renovations that were looked over, some musicians said it was disgusting and they did not really want to sit on the couches. Those conditions did not matter to all the famous musicians, since it hosted a state-of-the-art recording console designed by Rupert Neve. The studio also had a perfect room for drums, since finding a good room for drums was rather hard to find which was good for Rock & roll.

It began with Neil Young in 1970, many of the biggest musicians of sound city’s era came to record and put their music on tapes, musicians such as Tom Petty, Fleetwood Mac, Johnny Cash, Elton John, Santana,  and the Grateful Dead, all record award winning records in that studio. In 1991 sound city had a whole new clientele since Nirvana came to record their breakthrough record called Nevermind, it had open the doors for alternative rock stars such as , the Red Hot Chili Peppers and Nine Inch Nails. Also Rage Against the machine started to make appointments at the studio. At the end of the 1990’s Sound City had started to be out dated since technology had changed and digital technology became the standard. The owners then went and sold the trade mark. Then musician Dave Grohl who had record at sound city in past bought the old console, he then called other musicians who had also used to console in the past and made a look back at its glory days. The documentary showed many interviews with the artists and also the technicians that controlled the console.

The film shows the evolution of music in its time how the consoles changed but also how music is used in their lives and what it represented for them. As the machines used to create music evolved the type of music that was created also evolved with it.

Music was very important to everyone in the film they showed by all taking the time to be interviewed for the film and also when they bought the original console they had a throwback party using the console, that console had given all of them new opportunities in the music business and they grow emotional connections to music.      

Searching for Sugar Man

‘Searching for Sugar Man’ – 86 minutes long documentary film directed by Malik Bendjelloul tells the incredible true story of Rodriguez. Sixto Rodriguez was a Detroit singer in the early 1970’s. He signed two album contracts but unfortunately neither of them sold well so the contract was dropped. From then nothing was known about Rodriguez. Several years later his albums became famous in South Africa; his song became anthems of the antiapartheid movement. But nothing was known about him. Rumors spread that he committed suicide by shooting himself on stage. Absolutely no proof existed to support such theories. In 1990’s his few fans seek out to find what actually happened to Rodriguez. Since there was very little information existed about singer they met many obstacles and finally they uncover an awful revelation. Rodriguez worked as a construction labourer to raise his 3 daughters in Detroit. He was unaware of his fame in South Africa. His fans tracked him down through internet and brought him to South Africa to perform to his adoring crowds, after that his career was revived; his lost artist dream came true. Click here for trailer. The film tells us how music plays vital role in our life.

Music is very important part of our life. Music allows people to be creative and it offers more life to people. The main issue raised by Searching for Sugar Man – first music oriented film to win documentary award, is the importance of music in our life and how does music inspire people to stay strong. In the film it clearly shows that the first feeling of apartheid born in people of South Africa was through music and inspirational song of antiestablishment like ‘Cold Fact’, which encouraged people for the revolution to set them free and to fight for their own rights. Another example from the film is that Rodriguez first came to fans attention through the shock that greeted the line in the song ‘I wonder’ that asked “I wonder how many times you’ve had sex”.  That song was considered very provocative and contentious in those dark conservative years in South Africa. Thus the importance of music as revolutionary and antiestablishment force is made clear.

Searching for Sugar Man is a story of hope, inspiration and resonating power of music. This film shows us how the influence of music changes people life and thinking. This makes the film special. In the film Rodriguez emerges as one of those figure independent music depends upon. Supporting and listening to music he believes in spreading an unquestionable truth. Rodriguez music and lyrics had also become a guiding light and inspiration to a generation of South Africa, and caught up many youth in the apartheid-era army conscription. This shows an inspiriting power of music. ‘Sugar Man’ is remarkable because it raises an overwhelming, unique intellect of hope. It is a tale of talent being recognized of modesty’s victory through music. This shows how music makes life better.

Music expresses ideas and emotions in significant forms through the element of rhythm, melody and harmony. Every song used in the film helps to create continuity in the story, to contextualise or tell the story and it is difficult not to be swept away by Rodriguez’s melancholic and poetic lyrics about hardship. In this way sound help to set time and space of a film. The movie moves to a relaxed rhythm, in harmonization with its other worldly subject.

This video shows us the importance of music in our life http://www.youtube.com/watch?v=UsaLfh6Vc9w

These Ties that bind

            The main similarity established between films Sound City and Searching for Sugar man is the unrecognized talents that paved their way into the music industry and how those artists came to be forgotten or unheard of.  In this day and age, where everyone can produce music thanks to the new digital technology, the human element is sometimes fully ignored-- whether it be in playing instruments or simply in singing. True artists are no longer given the proper appreciation they deserve.  This shows how carefully everything in that industry is meticulously planned or crafted.  A star could be born anywhere, when his or her opportune time has arrived.  When one is complemented with "star-like" qualities, it is no longer a reference to their talent; They don't need it anymore!  As everything became more digital, there was less stress to rely solely on one's talent.  With the help of auto-tune,  artists like Kesha are able to make it big in the industry without necessarily being a great singer.  If someone is interested to hear how this artist sounds like without auto-tune, they could click on the following link:  http://www.youtube.com/watch?v=GVjy2zyQ7Oo. 

            As it is depicted in the film Sound City, artists were born out of the blue and more commonly, since the invention of digitally-recorded sound, and ultimately, this led to one of the most groundbreaking music studios to shut down, as it could no longer keep up with the newest technologies put in place in other studios.  This devastated the artists that made Sound City what it was, because it was much more than a simple union of talents whose only goal was to create music together.  Throughout the many years they worked together, those people forged a special bond that was tied to their workplace.  The subject of true talent becoming increasingly ignored did worry those artists and many moved to new studios who were "ahead" in the digital font.

            What both films explored thoroughly is the fact that the human element in music was sometimes not given the consideration it deserved.  In Sound City, the human element was somewhat more literal.  When the old band came back together, they had no idea what music they were about to produce.  Everything came to life by improvising with the presence of other human beings in the recording room.  They said that their trick was to not "over-think" their music; Every note came out naturally.  In Searching for Sugar man, Rodriguez's music denounced so much of the injustices in the world that it became an inspiration to millions of fans in South Africa, in a time where the country was beginning to resent the apartheid system put in place.  Unfortunately, Rodriguez didn't attain the same level of success in the United States, as it was uncommon that a man of Latin descent would make it big in that country.

I personally didn't think that a documentary about a music studio would have affected as much as it did, because I don't pay that much attention to it in my life.  I'm more into filmmaking , meaning that I focus on more of the visual arts.  Surprisingly however, I found myself deeply involved in the story of these artists and how they came to strive together in the studio, because it had universal themes; it wasn't a documentary about music in particular, but more so, the human element that is ingrained into it.   

Overall, both films carefully depict the unfair competitive nature in the music industry and put forth stories that remind us how important it is to let humanity be carved into it, whether it be literally (Sound City) or emotionally-- in such songs as Sugar man.